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February 2013

The Thin Edge of the Wedge

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Regardless of whom you voted for, it was a sight to behold today as we marked the second term of the presidency. I am a pageantry and ritual geek: give me a trumpet's fanfare, a young, beautiful family, and choirs performing America The Beautiful, and I am all goosebumpy and teary-eyed.

Pageantry and ceremony have an important place in our lives. Ceremony signifies and marks the important thresholds of life:  birth, coming of age, graduations, weddings, more births, and ultimately, death.


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Rituals also are important in our creative lives. I know artists that always start a work by lighting incense, or ringing a bell, or playing a much-loved mix tape from college years. Do you have any ritual you perform when you begin to work?

When I am overwhelmed with work of any kind, my first ritual is to clean. (Cleanest drawers and closets in the dorm when I was trying to finish my thesis.) 

Having just finished the final touches on the class samples for Art Is You (Nashville & Stamford, yo - sign up!), my studio looked like an episode of Hoarders. So I dug out from under the art paper, scraps, stamps, ribbon, images, scissors, washi tape, ink pads, wet brushes, glue brushes, empty glue sticks, and rolls of double-sided tape.

3-pearsleftThis house is bursting at the seams right now with "stuff".  We are settling The Empress's estate and there is much to and froing of linens, glasses, vases, dishes, and all the accoutrements of 87 years of living.  Her items are in transition, waiting for a permanent placement.

While our country is in transition as our president enters his second term, while the weather is in transition as we have broken winter and it is now perpetual early spring, and my family is in transition as we have our elders passing on and our children going off to college and jobs, my art and writing is also at the thin edge of the wedge.

 

The Thin Edge of The Wedge.

I do love this expression. It is so elegant, descriptive, symbolic, and apt. It has, dare I say, aplomb?

I admit that I initially misconstrued the meaning of this metaphor. I thought it meant that the thin edge of the wedge was the poorer end, the lesser end, the narrow -left-for-crumbs end. I hated being ascribed to the thin end. I want the rich, fecund, fertile, blooming end of it.   Is nothing new to come to me? I am here just to tread water until "retirement", when I will just tread water until death?

I realize now that I was looking at the narrow end of the wedge from head on, seeing only the sliver of it, the narrowness, the meaness, the paucity of it.  I recognized only the tapering off, the scaling back, the wasting away.

It's what I do sometimes, a lot of times, most of the time.

With aplomb, I suggest you view the narrow end of the wedge from the other side. See it as the flying buttress it actually is.

Think about it: where is the power in a wedge? Is it on the blunt, full back that we whack away at? Does a knife cut with the thick edge, or the narrow? Do you place a log splitter the  narrow side down or the wide?

The power, movement, strength, and raw energy is in the narrow edge.

Cleave it in two and you have twice as much.

Shatter it and  you have fragments that you can rearrange into a much more interesting whole.

 

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It is exciting to be living at the thin edge of the wedge. It is not comforting or comfortable, nor does it have the harmony of the semblance of a whole. It does not make for sleepful nights. It causes you to question everything from the life choices you made and your insistence that women over 40 have no business wearing leggings to work.

Revolution is always the thin edge of the wedge. It is messy, powerful, and sometimes fatal (in this case, fatal to your old way of sticking to things).

Why be safe and try to hang onto the thin edge until my fingertips cramp? Why am I waiting for the "right time" to make the work that I think about on every drive to work on every morning of my life?

Why do I think there is a "right time" for anything in life and not just a lot of messy, inconvenient times that must be torn from the grips of life's needs and wants.?

The thin edge of the wedge means you have to be prepared to plunge into the blank white wall in front of you with all the sharpness you can muster.

Be Ahab; take no prisoners.

 

 

 

 


APLOMB

 Your beautiful and generous messages on the last post went straight to my heart. I can't help myself: writing is what I do. So I welcome the second decade (how strange does that sound?) of blogging. Bring it on interwebs, bring it on!

 

 

 

 

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Sunday morning and the nine o'clock church bells are muffled in the fog that  drips from every branch. They do not wake me, as we've been up since six, awakened by the sounds of a large vehicle outside the house, along with clanking, and loud voices. It was as black as midnight and I assumed it just was our fireman neighbor getting a lift home on a hook and ladder. When the noise didn't stop, I was loathe to get out of bed but just when I put my feet on the cold floor, the doorbell rang, turning the noise from an annoyance into an alarm.

Oh lordie, I thought, maybe someone hit our car -  and then in a flash, I remembered. "Peapod! It's Peapod!"  On Friday night, I had tried to place a grocery delivery for today but the only slot left was from 6 to 8 - in the morning. We are usually up by 7 with the dogs and the last time I ordered, they didn't show up until after 8:00 anyway, so I reserved the slot without

Now that I'm thinking of it, though, that last order was the Sunday before Christmas. This weekend, it appears, they are not only on time but early as the clock says  5:56 when the doorbell rings. Mr. Pom and I run around the room like cartoon figures, grabbing at pants and shoes in the dark while I mindlessly call out, "Peapod! Peapod!" to assure him we weren't being robbed.

He ran down the stairs without any discussion as to who would open the door. (Men can pull off just out of bed deshabille much better than women due to short hair, fleece pajama pants, and t-shirts. I on the other hand, have Einstein-style hair, no bra, and no intention of going downstairs. He is such a good man.)

After they left,  accusations flew around to the likes of never do this again, how could you forget, and for god's sake can we ever sleep in? Sigh. It did not help the matter when I confessed that on Friday night I had ordered  just the minimum amount to reserve the delivery slot, with full intention to go back online Saturday to round out the order. Saturday came and went with a quick coffee trip to the city, and intense artmarking all afternoon, capped off by a sudden onset of a stomach virus that had me in bed at seven. So not only were we dragged out of bed in the dark, we still had a trip to the grocery store ahead to round out the week's needs. (On the bright side, it took us only a few minutes to put the groceries away.)

And such is life. Even when blissfully asleep, life intrudes. Sometimes we handle  these intrusions with aplomb, and sometimes we do it half-arsed. Sometimes we show up, like Mr. Pom, with 2 differently colored shoes on. But we still have to answer the door.

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Aplomb.

What a wonderful word. My word for 2013.

 

From dictionary.com:

 

a·plomb

[uh-plom, uh-pluhm] Show IPA
noun
1.
imperturbable self-possession, poise, or assurance.
2.
the perpendicular, or vertical, position.
Origin:
1820–30;  < French à plomb  according to the plummet, i.e., straight up and down, vertical position

Synonyms
1. composure, equanimity, imperturbability.

Antonyms
1. confusion, discomposure; doubt, uncertainty.
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I shall remain poised, assured, imperturbable and not be confused, or doubt, and riddled with uncertainty this year. No matter what is thrown at us. I shall be like The Lilies In The Field. (I love that aplomb basically means "plumb". And it explains so much as nothing in my life is ever in a straight line!)
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Here's  the creativity tie-in: I've had an art project I've been working on since late October. I've been done it in spurts followed by long lags while life whipped me around in a whirlwind of mourning, holiday, and work. It's now due, due, overdue. Half done, half a mess, half scribbled notes, half on the floor, half camera ready. As I go back to bed for a little more rest after putting away groceries, blessing the dogs that they haven't made a whimper in their crates, thankful that my stomach has taken a breather from the pains and rumblings of last night, I think of the pages I have left to do.
I go online and surf a few favorite artists. I groan at how my work looks in relation to theirs'. I wish I had another month to make it perfect, to allow me to sketch, draw, paint, then collage and produce the images I have in my mind. I had so many ideas and dreams of how this would all come together in a velvety smooth blend  of hand-lettering, watercolors, and collage made only of vintage, primary-source material. Oh, and my writing shall be the most perfect expressed of distilled memories of a special time and place.
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Well, girlfriend, it is what it is. It is the best I have to give right now. And you know what? It's pretty damn good. Why? Not because I'm happy with not "doing my best". But because sometimes it is "doing my best"  that stops me from Doing Anything.
I had that epiphany this morning while the fog condensed into fat droplets that hung like crystals from the birch tree outside my window.  When I switched on the Ott light in the art room, surveyed the litter of paper snips, empty glue sticks, ephemera, scissors, pens, and quotes that covered my table top and floor beneath, I wrinkled my nose at the mess I always make when I am in the midst of it. Is everyone as messy as I am? 
Ignoring the chaos, I picked up my little gold "stork" scissors and snipped away at a rounded corner of a huge oversized cardstock tag. I cut out a Santa hat for a postcard Elvis. I ripped into strips a page out of a 1950's recipe book and glue-sticked it as a border on the tag.  Then I went back to bed with the tag and a white pen and wrote out my memories of surviving our first Christmas in the South, far from family, far from the ingredients and food that "made" Christmas for us.
As I reflected on the art of improvising, of adapting, and of creating a new life that resembles what we  left behind and reinvents a better new one, I understood, finally, that my life reflects my artwork.  In the life I've shared with Mr. Pom, we both have had the same impulsive, make do, make decisions attitude. We've been rash at times; we've veered from what everyone thinks we should do at times; and we've lived wtih the consequences at times.
But if we had waited and waited and waited until the Right Thing came along, we'd still be waiting. We have in fact learned that life is rich and lean and spare and full and austere and abundant. There's so much we wish we had. So much we want to do.  But, dammit, so much we have done, so much we do have.

If I wait until my art is perfect, I won't make any art. Under my curent life circumstances, if I wait to create the perfect artist book that showcases my best writing and my best art, that incorporates my highest thoughts, perfect hand-lettering,  delicate sketching, and vibrant, innovative painting and collage, it will remain forevermore just a picture perfect cartoon in my head.
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Instead of constantly outlining, note-taking, journal sketching, and research, sometimes you just have to start.
Instead of waiting for life to change.
Instead of waiting for the lottery so you can be a full time artist.
Instead of waiting for the perfect studio space.
Instead of waiting for when you will suddenly acquire the art skills you think you will somehow miraculously acquire.
Instead of being afraid.
And in starting, comes the doing; in the doing comes the building of one idea onto another. In the building comes the slow accretion of skills that transform into a strong foundation. It won't look like what you have in your head. But eventually, it will look better.
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Don't be afraid of giving yourself the time to make a mess.We are all so afraid of Wasting Time. I know that we have all been brainwashed to believe that preparation, scheduling, outlining, and planning is the way to live our lives in this modern, frantic world. And I know that it just doesn't always work that way.
Just sit at the table. Pick up a scissor. Grab a piece of expensive Italian handwritten ledger paper from 1865 and Cut. It. Up. Right now. (You know you have it or the equivalent in your secret stash.)  Cut. It. Up. Without knowing what the heck to do with it. Get a glue stick, a piece of colored cardstock, a photograph, a crayon, pastel, watercolor pencil, rubber stamp, glitter, or whatever is in arm's reach.
Have fun today. Play. Glitter. Glue. Stick. Repeat again as needed.
I have to go.  I have pages and pages to go before I sleep, so it's time to get out of bed. Again.
Tell me what you have to play with today.
And come to Nashville for Art Is You where we will play together and create your own The Art of Food artist book about your Proustian food memories. You'll get to use all the fun stuff you've been hoarding: washi tape; vintage ephemera; glitter; acrylics; stamps; inks; pens; and more!!

THE TENTH YEAR

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I began writing pomegranatesandpaper in November 2003. I chose the name for its alliteration and for symbolism of the pomegranates - full of the seeds of story - and paper - where story is recorded.

The pomegranate is rich in myth, symbolism, and history. I fell in love with the story of Demeter and Persephone, especially after I became aware that Sicily is known as "Persephone's Island'. My mother's maternal grandparents were born in Sciacca, Sicily, and since my grandfather was adopted (perhaps by Sicilians, also, I don't remember), my mother's family considered themselves Sicilian more than Italian.

However, I didn't adopt the pomegrante as a symbol just from myth. At Christmas, my mother  always bought odd, tropical fruits  to serve after dinner. This was the part of the meal that I looked forward to as a kid. First off, it was the course that preceeded dessert, which was the course around which the holiday revolved, the course for which the holiday existed in my kid cookied-crazed mind. For Pete's sake, when we were going to get to EAT the 10 tins of cookies that we had made in the weeks preceeding Christmas? After all, once the gifts were given, the only thing left was the cookies.

 

 

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2013 Taralla cookies, courtesy of The Bride and Alison, on our Cape Cod plate.

 


It was not just my sugar-obsession that made my anticipate when my mother put  out a centerpiece of tangerines, clementines, perhaps some berries, slices of melon bought at great cost in midwinter, and always, these odd, strangely shaped fruits that we only had at Christmas. My mother also bought figs and dates, almonds, brazil nuts, walnuts, and hazelnuts, dried fruit (which no kid would touch), and a pomegranate and a prickly pear. Then,  just as the women and conscripted older children finished up the first dishwashing and drying, a great pan of chestnuts would come out of the oven and be placed on a silver tray and we would use our linen napkins to grab the nuts and squeeze off the husk and papery inner lining, and be rewarded with a mouthful of warm, sweet, creamy chestnut.

The first pot of coffee would be perked and the table would be set with cups and saucers and dessert plates. The men would loosen their ties, the littler kids would disappear to the living room to play with their toys, and the women would replace their wedding rings, bracelets, and watches, and sit down. My grandfather would peel an apple with a pen knife in one spiral swoop; the nuts would be passed and nutcrackers handed out; and my mother would make all the kids squeal in disgust when she sliced open that strange prickly pear and ate it.

I have this  memory of my mother placing a pomegranate on a large dinner dish so the red juice wouldn't stain her Christmas tablecloth, and slicing it open with a fruit knife. She  scooped out a tumble of glistening seeds onto a white saucer and passed it around. The seeds were much prettier than the gross prickly pear, so we each took a few to try.  As we picked at the pomegranate seeds, and the men crushed nuts, and grapes were nibbled, and the candles burned down to stumps, the stories began to be told about the great grandparents who were gone, and the days when they all lived together in one house like a 3-layer cake.

I'd listen to the stories and learn about Manana and Rocky Point and Boston and Uncle Baker and Dolly and these people whose names I knew but maybe had never met. Often the women would lower their voices and lapse into Italian and I knew they were discussing something they didn't want the kids to understand. It was a relaxing, informal time before the formal dessert course, before the next wave of relatives came and the table would have more places laid out and even a card table set up. It was the time when my mother would finally shrug off the stress  of putting on Christmas and laugh, and not worry whether the silver was polished or the all our Christmas dresses were hemmed. I knew if I kept quiet and just listened, I'd learn much. 

Eventually my father would light his pipe, make a risque joke, and my grandmother would laugh at it despite herself, her gold bracelets jiggling on her arm. Relatives would come and go, more coffee would be poured, the cookies would come out, along with cannoli and pastries and cakes and soon my stomach would hurt and I'd get sleepy and  lean against my Aunt Anita and be ready to let Christmas go.

When I began pomegranatesandpaper (and for those still wondering, it is pomegranates and paper, not pomegranate sandpaper...) I wanted to have it be like that special hour after dinner, where you loosened your belt,  sipped some coffee, and picked at the fruit and nuts. I wanted to give you the stories of family, of love, of the world. I wanted to give you the that moment in the day when the candles are burned down low and a pipe is lit and the smoke rises like incense as we bless each other with the words of our families and tell the stories of the generations.

I think I have done that pretty well. I try to stay true to the facts (I've certainly given you lots of nuts) ; I never sugar coat the truth as long as it won't hurt or embarass those that are written about; and I have become relied upon by my family, especially my children, to tell the story of our lives and those we love. It is a matter of pride to me that my children go to my blog to read about what happened when, and that some of the family are reading through old posts to pull together their memories of The Empress. My only regret is that I had not done it years before so I wouldn't have to squint as I try to decipher my hand-written journals from the pre-blog years.

My life has changed dramatically from when I started this. I spent the weekend dismantling my mother's dining room with its drawers full of tablecloths, serving dishes, candles, bobeches, monogrammed luncheon cloths,  dessert plates, goblets, nutcrackers, salt cellars, and all the finery and bric a brac that her generation relied upon to entertain. I worry that I our family life is being dismantled, also, and that our stories will be lost as children grow and move and life becomes so much more frantic and work-filled and holidays become dinners ordered out and all these names are just words chiseled in stone.

I am wiser and less in love with my own words than I was ten years ago. I can't write much about The Empress without crying and I can't look at pictures too much from the past ten years without welling up at seeing her, so it is difficult to browse for photos to post.   I censor myself so much more now as I so much more aware of how easy it is for others to find this blog, those people who may not hold my best interests above their own.

I have settled into a once a week posting, usually at the beginning of the week, which is working for me right now. My page views are pitifully low, but that is okay as I am no longer the woman who believed I could spin this blog into more than that it is and retire from my profession and monetize the crap out of this.

So much more relaxing just to share when I want, no? And how I treasure the friends I've made here. You are all friends, you know. I speak of you often. I preface it is always for my family with "a blog friend, so and so" and they've learned to understand that you are as important and special as those that I see in real life. And so many of you I have met or message off blog, and you've all become a special part of my world. .

I have nothing negative to say about blogging or the internet or social media except that I have to treat it like a dessert and make sure I live a balanced life so I actually read the books I promote and use the art supplies I talk about.

My goal for 2013 is less words (oh, I've fallen short already!) and more art and journal pages.

I hope you stick around for the Tenth Year. It sounds so significant, perhaps even a little ominous. I hope it will not be, I hope we'll just play together for a bit more as I find my way in a changing family world and find my face up against the window of the past, waving it goodbye, straining to catch a glimpse of the future.